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<p><span style="font-size:6px;"><span style="color: rgb(0, 0, 0);">The reception for Peaky Blinders was largely positive, with notable praise for its writing, acting, visual style, and stylish cinematography. David Renshaw of The Guardian summarised the series to be a "riveting, fast-paced tale of post-first world war Birmingham gangsters", praising Murphy as the "ever-so-cool Tommy Shelby" and the rest of the cast for their "powerful performances."[27] Sarah Compton of The Telegraph gave the series a 4/5 rating, praising the show for its originality and "taking all of our expectations and confounding them."[28] Alex Fletcher from Digital Spy believes that "Peaky Blinders has started as sharp as a dart,"[29] while Den of Geek called the series "the most intelligent, stylish and engrossing BBC drama in ages."[30] Cult TV Times critic Hugh David said that the show "warrants the billing" by "managing to tick several ratings boxes – period drama, gangster epic, film star leads – yet go against the grain of those in the most interesting of ways."[31]
The show has been celebrated for its stylish cinematography and charismatic performances, as well as for casting an eye over a part of Britain and British history rarely explored on television.[32] Historians have been divided over whether bringing characters and events from other decades into a 1920s story undermines claims to historical accuracy, or whether working-class life in the period is nevertheless depicted in a truthful and resonant way.[33] Reviews for the second series have remained positive, with Ellen E. Jones of The Independent commenting that "Peaky Blinders can now boast several more big-name actors to supplement the sterling work of Cillian Murphy, Helen McCrory and Sam Neill", referring to second series additions Tom Hardy and Noah Taylor.[34] Several critics have also favourably compared the show to US drama Boardwalk Empire,[35][36] which shares the same themes and historical context. Show writer Steven Knight stated in an interview: "Do you know – and I’m not just saying this – but I've never watched them. I've never seen The Wire, I've never seen Boardwalk Empire, I’ve never seen any of them." When asked if he deliberately avoided watching these dramas, he responded: "It’s sort of deliberate in that I don’t really want to be looking at other people’s work because it does affect what you do inevitably."[37]
On 2 March 2016, Steven Knight told the Crime Scene Quarterly, "I've had unsolicited communication from Michael Mann, the film director, from Dennis Lehane, Snoop Dogg – he's such a fan. And the late David Bowie was a huge fan – more of that to come" (strongly hinting Bowie's involvement on Series 3). It was later confirmed that David Bowie's music will be featured, and Leonard Cohen has also written a new song for series 3.[38][39][40]Following Grace's funeral, Thomas calls a meeting with Aunt Polly and Michael, and gives them a list of things to do for their "legitimate" business. Afterwards, Arthur and John are ushered in. Thomas tells them to retrieve Vicente Changretta alive and shoot Changretta's wife, but the two are reluctant to murder her. During a family meeting, the Shelbys realise that Thomas has gone, having left a note behind that he’ll be back in a few days. Elsewhere, Thomas is heading to Wales with the sapphire necklace. There, he confers with a gypsy, whom he asks whether the sapphire is cursed. Leaving the necklace with the woman, he’s able to return home with some sense of normalcy. In the meantime, Arthur and John have procured Changretta, who Thomas threatens to torture, but Arthur shoots in the head as an act of mercy. Back at the mansion, following her help in finding the Soviet informant in the Economic League, Thomas invites Ada to head the family's future office in America. Armed with the name of the informant, Thomas interrupts a meal hosted by the Grand Duchess Izabella Petrovna and secretly alerts her of the information he has acquired. Princess Tatiana sees Thomas to his car, and he tells her that Hughes is the one betraying them to the Soviets and offers to kill him, free of charge.
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